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Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?

Madhouse at the end of the earth

A digital talk with author Julian Sancton about his book and the intrepid explorers of the Belgica.

The story of the site

Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.

Restaurateur speaking

Interview with Pierre-Yves Kairis

Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier. 

Magic lantern slides in the light of today

The MAS started digitizing its collection of thousands of slides. These slides that used to be projected with a magic lantern, are finally seeing the light of day again.

Body Art

18.02.2016 - 17.04.2016
CLOSED - With “Body Art” the MAS has developed a varied exhibition about forms of body adornment, from make-up and tattoos to scarification and surgical changes, throughout the centuries and in different cultures. The main question in this exhibition was “Why do people alter their body?”

Dimitri Leue & Tine Embrechts

Interview

Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.

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Float

From parade to museum

Thanks to intensive restoration, a large float was prepared for the exhibition 'Listen. Stories found in the city'. You can read about how the restoration of this piece was carried out and what choices were made here.

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