The MAS collection consists of more than 500,000 objects about art, cultural traditions and history of the city and port of Antwerp. But also of Europe, Asia, Africa, America and Oceania.
In the multimedia project 'In many hands' twenty-five people shine their light on the Congolese collection of the city of Antwerp. They speak about an object of choice from the one hundred highlights in the exhibition.
This conference, strongly linked to the theme of the MAS exhibition 'Antwerp à la carte', aimed to increase our awareness of food systems as dynamic cultural phenomena. The conference took place between 21-23 September 2022.
CLOSED - Migration is about living and working in an unfamiliar place. It’s about long-distance love and growing up in a foreign city, a new home. You discovered the story of 50 years of migration from Morocco and Turkey on the fifth floor of the MAS.
The MAS focuses on a piece of city history from the Second World War. In the pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.
The Antwerp Hand biscuits are the most well-known tourist souvenir from the city. In the MAS collection, we find many packagings of the biscuits. However, behind the scenes of the little biscuit, there is more than one story to tell.
Since 2012, the Mestizo Arts Platform (MAP) collective has been maintaining and renewing the Altar of Antwerp: a participatory installation that invites us to reflect on the meaning of 'what we have lost' in the city. This has been a part of the MAS' permanent collection since 2017.
V-bombs hit Antwerp hard in the winter of 1944-45. The blast at Cinema Rex was the deadliest bomb strike in history. The City at War exhibition features a large V1 practice bomb, surrounded by small, personal souvenirs. They show how deeply the attacks affected the lives of residents.
Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.