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Anybody home?

Looking for the sewer crocodile, listening to talking tableware, playing board games or drawing on the walls.... In the playful new family exhibition "Anybody home?" you will explore the MAS collection together with your (grand) children. You reflect on what a 'home' means. And one thing can already be revealed: it is different for everyone. 

We call it Riverside but you can call it L.O.

For the exhibition 'Le Corbusier. Linkeroever - Chandigarh’, the MAS closely collaborates with people and organisations in Linkeroever. Amongst others, we spoke with two residents’ associations in Europark, had coffee with the board of the Sint-Anna College and the secondary school, and visited River Side Studio.

19th century dollhouse

In preparation for the family exhibition Anybody home?, the MAS had a 19th-century wooden dollhouse restored. The house and its furnishings were carefully refurbished.

The Flying Dutchman

A treasure hunt for the young and old

Will your children be the new sailors of the Flying Dutchman?

A facade full of hands

The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.

Life & Death | Of Gods and mankind

In this exhibition you could find out how others experience and approach the end of life. Across the boundaries of time, culture and religion.

Migrants on deck

Photographs show the people involved and the circumstances surrounding their emigration. Consequently, photography is an important source of information for the story of the Red Star Line.

Study painting First entry of Napoleon to Antwerp

Napoleon's visit to Antwerp in 1803 was a high point for the city on the Scheldt.  Joséphine de Beauharnais, Napoleon's wife, ordered a painting to immortalise the entry. This is a preliminary sketch for that.

Objects in the exhibition

Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.

Small souvenirs of a great disaster

Memories of December 16, 1944

V-bombs hit Antwerp hard in the winter of 1944-45. The blast at Cinema Rex was the deadliest bomb strike in history. The City at War exhibition features a large V1 practice bomb, surrounded by small, personal souvenirs. They show how deeply the attacks affected the lives of residents.