The Antwerp Hand biscuits are the most well-known tourist souvenir from the city. In the MAS collection, we find many packagings of the biscuits. However, behind the scenes of the little biscuit, there is more than one story to tell.
Since 2012, the Mestizo Arts Platform (MAP) collective has been maintaining and renewing the Altar of Antwerp: a participatory installation that invites us to reflect on the meaning of 'what we have lost' in the city. This has been a part of the MAS' permanent collection since 2017.
In 2020, the MAS is taking a whole new course with its youth program "MAS in Young Hands". What must be stored in the MAS? According to young people, what is heritage and where do we find it in the city? With these and other questions, young people go to work online and offline and will inspire an artist in residence.
Once the largest port in the world, today the Port of Antwerp is characterised by colourful containers. It connects the city with the rest of the world. Dive into the history of our port.
500,000 exhibits offer a varied perspective on the city and its age-old contacts with the world. Some of them are displayed in permanent and temporary exhibitions, but most are kept in storage.
The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.
Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.
