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Interview with Pierre-Yves Kairis

Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier. 

On the origins and future

The results of the provenance research have been published in the online publication “About provenance and future.”

19th century dollhouse

In preparation for the family exhibition Anybody home?, the MAS had a 19th-century wooden dollhouse restored. The house and its furnishings were carefully refurbished.

Film Dance

On Saturday 6 April 2013 the artist and filmmaker Hans Op de Beeck made “Dance”, a contemporary film about migration for the Red Star Line Museum. It was a cold spring day but the commitment and the enthusiasm of the 770 extras was heart-warming.

The cope of Nonnemielen

This choir hood is a luxurious robe from around 1500 and is a fine example of the so-called "opus anglicanum". It is one of the few surviving examples that ended up in Flanders. For Antwerp, the image on the choir hood is very special.

Dimitri Leue & Tine Embrechts

Interview

Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.

A bird’s eye view of Antwerp

Every district of Antwerp consists of a wonderful mix of historical buildings and modern architecture. To see all of this beauty you actually would need wings. But fortunately there are several places, both high up in the air and on the ground, to see as much as possible of the city.

Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

How & when to get here

When is the museum open and how do you get here?

Collaboration

An exhibition with multiple voices

For the exhibition, the MAS collaborates with Belgian and Congolese artists, filmmakers and researchers. An overview.