In the multimedia project 'In many hands' twenty-five people shine their light on the Congolese collection of the city of Antwerp. They speak about an object of choice from the one hundred highlights in the exhibition.
Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.
The MAS started digitizing its collection of thousands of slides. These slides that used to be projected with a magic lantern, are finally seeing the light of day again.
The freeing of the Scheldt was a landmark event in Flemish history. In mid-1863, Antwerp celebrated that after more than 250 years, merchant shipping on the Scheldt was truly free again. A telling painting of this ‘Scheldt Free!’ celebration from the MAS collection can be seen in our Visible Storage.
The MAS collection comprises approximately 2,400 objects related to the poesjenelle tradition, originating from the former Folklore Museum: rod puppets, stage props, signs, theatre programmes and photographs. We also have rod puppets from other theatre traditions and a number of hand puppets.
Nine paintings from the Sarvavid series recently left for New York, where they are on display at the Rubin Museum of Art. MAS colleague Roselyne, curator of the Asia collection, travelled with the loans. Wondering what is involved in such a loan escort? You can read it here...
Thanks to intensive restoration, a large float was prepared for the exhibition 'Listen. Stories found in the city'. You can read about how the restoration of this piece was carried out and what choices were made here.
