The MAS and the FelixArchief invited all Antwerp citizens to contribute to an archive about daily life during the coronapandemic in Antwerp. Many Antwerp citizens responded with an often very personal contribution.
CLOSED | Once the largest port in the world, today the Port of Antwerp is characterised by colourful containers. It connects the city with the rest of the world. The exhibition 'Wordl Port' dived into the history of our port.
You could admire these collection pieces in other exhibitions, both in domestic and foreign museums. An overview of the objects we gave on loan in the past.
CLOSED | Once the largest port in the world, today the Port of Antwerp is characterised by colourful containers. It connects the city with the rest of the world. Dive into the history of our port.
The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.
FREE ENTRANCE | Discover ‘Tatreez’ (Palestinian embroidery) in the Visible Storage. Historical pieces from the MAS collection are displayed alongside contemporary creations. The presentation shows how this centuries-old embroidery tradition is much more than just decoration on textiles.
Recently, the Flemish Community acquired 'The Virgin of Consolation' by James Ensor. The painting had been on the 'Flemish Masterpieces' list since 2007. You can see the painting until 25 February in the 'Rare & Indispensable' exhibition. After that, it will be given into long-term loan at the MSK in Ghent.
CLOSED| In super-diverse Antwerp, you will find hairstyles and hair traditions of all colours and shapes. The hair salons where it all happens are equally diverse. The photo exhibition 'The Salon' gave you a taste of the diversity of hair salons and cuts.
This year, we are creating the city's playlist for the Altar of Antwerp. This playlist will consist of songs that city residents bring in. Each song is linked to a moment, a person or a feeling that the participant wants to evoke.
