MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?
The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.
The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.
The escalators in the MAS didn't only take visitors up to the roof, they also allowed to travel through time with impressive photographs of the collection.
The MAS collection consists of more than 500,000 objects about art, cultural traditions and history of the city and port of Antwerp. But also of Europe, Asia, Africa, America and Oceania.
The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.
Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
The MAS and the FelixArchief invited all Antwerp citizens to contribute to an archive about daily life during the coronapandemic in Antwerp. Many Antwerp citizens responded with an often very personal contribution.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.
Can you take a stroller into the museum galleries? What do you do with your coat and bag? Where are the restrooms? Find answers to these and other practical questions here.