This year, we are creating the city's playlist for the Altar of Antwerp. This playlist will consist of songs that city residents bring in. Each song is linked to a moment, a person or a feeling that the participant wants to evoke.
In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.
Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.
In preparation for the family exhibition Anybody home?, the MAS had a 19th-century wooden dollhouse restored. The house and its furnishings were carefully refurbished.
Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
We are very proud to announce that the exhibition '100 x Congo. A century of Congolese art in Antwerp' has been chosen as 'International exhibition of the year' by the British Museums & Heritage Awards.
The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.
A world famous collection that tells us about the extraordinary relationship between man and the world of gods, ancestors and spirits in America before the conquest by the Europeans.
The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.