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Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

 

Art of America

Collection Paul & Dora Janssen-Arts

A world famous collection that tells us about the extraordinary relationship between man and the world of gods, ancestors and spirits in America before the conquest by the Europeans.

A facade full of hands

The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.

Collaboration

An exhibition with multiple voices

For the exhibition, the MAS collaborates with Belgian and Congolese artists, filmmakers and researchers. An overview.

The Conversion of Saul

The tile panel is internationally considered as the most refined evidence of sixteenth century ceramics from Antwerp.

Life & Death | Of Gods and mankind

In this exhibition you could find out how others experience and approach the end of life. Across the boundaries of time, culture and religion.

Freight

Discover the story of Antwerp, its port and its intense freight traffic. Together with a guide, you will depart in late antiquity and travel on into the present day.

Brabofountain to museum DIVA

This unique silver showpiece is one of the permanent loans to DIVA. It is a copy of the Brabofountain in Antwerp's Grote Markt. The bronze statues on a rock of basalt stones were executed in silver and set on a rock of amethyst.

New admission prices

Starting from 30.10.2021

As of October 30, 2021, the price of admission to the MAS will change. We will bring it in line with those of domestic and foreign museums. At the same time, the discount policy will be adjusted and become more transparent.

100 x Congo

A century of Congolese art in Antwerp

The exhibition '100 x Congo' focuses on one hundred unique Congolese works.What are the stories behind the Congolese objects? And how did they end up here? What was their significance to various Congolese peoples? And where lies the future of the collection?