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A glimpse of the collection

Until 25.10.2023

CLOSED | You could find out more about the people behind the objects of the MAS: who used them, who collected them? And at the same time, you could take a look behind the scenes of the museum.

Aids Memorial Quilts

The Flemish non-profit organisation Sensoa donated its collection of quilts to the MAS. It consists of unique and personal canvases, each commemorating an AIDS victim. The creations are not limited to the traditional quilting (patchwork) technique. Some canvases were drawn or painted. 

Website accessibility

Everyone should be able to easily use and view the information on the MAS website.

MAS. A river of tales

What makes the museum so unique? Discover the MAS in a few words.

City at war. Antwerp, 1940-1945

What does it mean to live in an occupied city? What choices did city residents make: flee, cooperate with the occupier or resist? The expo shows the impact of WWII on Antwerp and its inhabitants. What would you do? You'll find out together with the guide.

The MAS partners

The MAS collaborates with many partners. We have a very versatile and dynamic network, on a local, national and international level.

Freight

About the port, people and cargo

In 'Freight' you stop at various 'docks', each of which reveals a different part of the city's connection with world trade. A journey through the history of the port city. On view on the 6th floor.

The Averbode altarpiece

In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.

Become a sponsor

Sponsor the MAS and become our business partner. The MAS can offer enterprises a lot.

Encounters

19.05.2017 - 20.08.2017

CLOSED - Great art needs no explanation to touch people. Some works of art leave observers bewildered; others allow them to 'see' from a different perspective. The exhibition 'Encounters' was about a universal experience of art. Dancers in the exhibition were guides of sensibility for the observer; they reinforced the total experience.

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