The MAS collection contains a number of beautiful stained-glass windows from the 15th, 16th and 17th centuries. Two of the rare intact examples are listed as Flemish masterpieces: rather large stained-glass windows from around 1600 depicting the Mystical Marriage of Christ.
The MAS is not only a museum, it's also a unique location for a picnic, it offers a cosy museum café at the foot of the MAS as well as a gourmet restaurant on the top floor.
This necklace, a guild chain, comes from a German or northern Dutch marksmen's guild with St George as its patron saint. It belongs to the so-called guild silver, with objects from the guilds' environment.
On the square in front of the MAS, you literally walk around on world-quality art. A huge mosaic by one of Antwerp’s most fascinating living artists, Luc Tuymans, occupies the Hanzestedenplaats.
The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.
People have been fascinated by power for centuries. Why is power so seductive? What kind of prestige accompanies it? A highly topical theme in which – who knows? – you may find some personal relevance.
