The Saulus tableau depicts a Biblical scene: on his way from Jerusalem to Damascus, the Roman Saul, persecuting Christians, is blinded by a lightning bolt and thrown from his horse. This tile tableau of over 1 by 2 metres has 98 tiles in majolica, colourful and glazed earthenware.
The MAS started digitizing its collection of thousands of slides. These slides that used to be projected with a magic lantern, are finally seeing the light of day again.
Jan Corteel devoted himself to promoting the story of Nello and Patrasche in Antwerp and Belgium. Over the years, Jan even built up a Nello and Patrasche collection, with all kinds of merchandise and various editions of the book. He donated this collection to the MAS.
CLOSED - With “Body Art” the MAS has developed a varied exhibition about forms of body adornment, from make-up and tattoos to scarification and surgical changes, throughout the centuries and in different cultures. The main question in this exhibition was “Why do people alter their body?”
The MAS focuses on a piece of city history from the Second World War. In the pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.
The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.
Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.
In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.
