Search

Freight

About the port, people and cargo

In 'Freight' you stop at various 'docks', each of which reveals a different part of the city's connection with world trade. A journey through the history of the port city. On view on the 6th floor.

Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

MAStour secondary education

Students will discover the traces that the world has left in Antwerp and the traces that Antwerp has left in the rest of the world, thanks to the port.

Youth takes over museum in Antwerp

MAS in young hands 2006 - 2018, a retrospective

In this brochure, the MAS looks back on the process of MAS in Young Hands and shares all its experiences. A complete overview of its know-how is available online and free of charge.

Antwerp and Japan

Mutual focus

The fascination for Japan from Antwerp's side began early. And, conversely, Antwerp is no stranger to the Japanese either.

City at war

Antwerp, 1940 - 1945

Military violence and mass persecution of Jews and dissenters during World War II broke the city. Personal stories and objects make this period very tangible in this new permanent MAS exhibition.

The conversion of Saul

The Saulus tableau depicts a Biblical scene: on his way from Jerusalem to Damascus, the Roman Saul, persecuting Christians, is blinded by a lightning bolt and thrown from his horse. This tile tableau of over 1 by 2 metres has 98 tiles in majolica, colourful and glazed earthenware.

Scheldt Free!

The freeing of the Scheldt was a landmark event in Flemish history. In mid-1863, Antwerp celebrated that after more than 250 years, merchant shipping on the Scheldt was truly free again. A telling painting of this ‘Scheldt Free!’ celebration from the MAS collection can be seen in our Visible Storage.

Colección

Altar of Antwerp

Since 2012, the Mestizo Arts Platform (MAP) collective has been maintaining and renewing the Altar of Antwerp: a participatory installation that invites us to reflect on the meaning of 'what we have lost' in the city. This has been a part of the MAS' permanent collection since 2017.