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We call it Riverside but you can call it L.O.

For the exhibition 'Le Corbusier. Linkeroever - Chandigarh’, the MAS closely collaborates with people and organisations in Linkeroever. Amongst others, we spoke with two residents’ associations in Europark, had coffee with the board of the Sint-Anna College and the secondary school, and visited River Side Studio.

Objects in the exhibition

Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.

Antwerp à la carte

About cities and food

The exhibition reveals the intimate relationship between the city and food, from the sixteenth century to the distant future. Follow the trail of food in the city and find out how what we eat has left its mark on the map of Antwerp.

The story of the site

Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.

Antwerp à la carte

About cities and food

The history of the city, on the surprising, erratic and often invisible trail of food. An exhibition that excites all your senses.

Sarvavid in the Rubin Museum of Art

Nine paintings from the Sarvavid series recently left for New York, where they are on display at the Rubin Museum of Art. MAS colleague Roselyne, curator of the Asia collection, travelled with the loans. Wondering what is involved in such a loan escort? You can read it here...

An entire city in one museum space

Thanks to the documentary by Christian Barani, during the exhibition, you will feel as if you are strolling through the streets of Chandigarh. Eight large screens show you how the current residents live in the carefully planned city, long after the architect is gone.

Study painting First entry of Napoleon to Antwerp

Napoleon's visit to Antwerp in 1803 was a high point for the city on the Scheldt.  Joséphine de Beauharnais, Napoleon's wife, ordered a painting to immortalise the entry. This is a preliminary sketch for that.