Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.
As part of ‘Antwerp Baroque 2018: Rubens as an inspiration’, MAS welcomed the photographer and artist Athos Burez. With 30 images and installations, he shared his own unique and contemporary view on different genres from the style period: still lifes, portraits, landscapes and interiors.
The MAS exhibit, 'Cool Japan', took you on a whirlwind tour of the global fascination for Japanese visual culture with icons such as Hello Kitty, Zelda and Sailor Moon.
Jan Corteel devoted himself to promoting the story of Nello and Patrasche in Antwerp and Belgium. Over the years, Jan even built up a Nello and Patrasche collection, with all kinds of merchandise and various editions of the book. He donated this collection to the MAS.
Looking for the sewer crocodile, listening to talking tableware, playing board games or drawing on the walls.... In the playful new family exhibition "Anybody home?" you will explore the MAS collection together with your (grand) children. You reflect on what a 'home' means. And one thing can already be revealed: it is different for everyone.
The Flemish non-profit organisation Sensoa donated its collection of quilts to the MAS. It consists of unique and personal canvases, each commemorating an AIDS victim. The creations are not limited to the traditional quilting (patchwork) technique. Some canvases were drawn or painted.
CLOSED | You could find out more about the people behind the objects of the MAS: who used them, who collected them? And at the same time, you could take a look behind the scenes of the museum.
The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 5,000 cultural objects come into being? A two-year research project will map this out more clearly.
