The Dutchman Pierre Gole made the exceptional ceremonial table for the castle of Vincennes, as commissioned by Louis XIV himself. It is one of the most important pieces of furniture in public ownership in Belgium.
CLOSED - Great art needs no explanation to touch people. Some works of art leave observers bewildered; others allow them to 'see' from a different perspective. The exhibition 'Encounters' was about a universal experience of art. Dancers in the exhibition were guides of sensibility for the observer; they reinforced the total experience.
Students will discover the traces that the world has left in Antwerp and the traces that Antwerp has left in the rest of the world, thanks to the port.
The freeing of the Scheldt was a landmark event in Flemish history. In mid-1863, Antwerp celebrated that after more than 250 years, merchant shipping on the Scheldt was truly free again. A telling painting of this ‘Scheldt Free!’ celebration from the MAS collection can be seen in our Visible Storage.
At Portopolis you put on a VR visor for a 360° tour and feel the port come to life! Walk across the large aeriel photograph and discover all special hotspots on offer in our port.
Do you want to be able to enjoy all the MAS’s objects from the past, from Antwerp and from the world at any time and in any place? Well, you can, because the MAS also has its entire collection online.
As part of ‘Antwerp Baroque 2018: Rubens as an inspiration’, MAS welcomed the photographer and artist Athos Burez. With 30 images and installations, he shared his own unique and contemporary view on different genres from the style period: still lifes, portraits, landscapes and interiors.
Since 2012, the Mestizo Arts Platform (MAP) collective has been maintaining and renewing the Altar of Antwerp: a participatory installation that invites us to reflect on the meaning of 'what we have lost' in the city. This has been a part of the MAS' permanent collection since 2017.
