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Aids Memorial Quilts

The Flemish non-profit organisation Sensoa donated its collection of quilts to the MAS. It consists of unique and personal canvases, each commemorating an AIDS victim. The creations are not limited to the traditional quilting (patchwork) technique. Some canvases were drawn or painted. 

Website accessibility

Everyone should be able to easily use and view the information on the MAS website.

City at war. Antwerp, 1940-1945

What does it mean to live in an occupied city? What choices did city residents make: flee, cooperate with the occupier or resist? The expo shows the impact of WWII on Antwerp and its inhabitants. What would you do? You'll find out together with the guide.

The MAS partners

The MAS collaborates with many partners. We have a very versatile and dynamic network, on a local, national and international level.

Freight

About the port, people and cargo

In 'Freight' you stop at various 'docks', each of which reveals a different part of the city's connection with world trade. A journey through the history of the port city. On view on the 6th floor.

The Averbode altarpiece

In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.

Become a sponsor

Sponsor the MAS and become our business partner. The MAS can offer enterprises a lot.

Antwerp and Japan

Mutual focus

The fascination for Japan from Antwerp's side began early. And, conversely, Antwerp is no stranger to the Japanese either.

Everyday Fear

V-bombs in Antwerp, 1944-1945

In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.

Cool Japan

A guide takes you on a tour and shows you some historical masterpieces. You'll learn that contemporary icons and the Japanese pop culture come from a long tradition.

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