The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
For the exhibition 'Postcolonial?' at the House of European History in Brussels, the MAS is lending an artefact from Mayan culture. It is an object from the collection of Paul & Dora Janssen-Arts.
People have been fascinated by power for centuries. Why is power so seductive? What kind of prestige accompanies it? A highly topical theme in which – who knows? – you may find some personal relevance.
As of October 30, 2021, the price of admission to the MAS will change. We will bring it in line with those of domestic and foreign museums. At the same time, the discount policy will be adjusted and become more transparent.
Together with parents and the MAS, arts organisation De Veerman organises an annual writing competition for primary school pupils called 'De Wondere Pluim'. Children get to write a story inspired by an object from our collection.
Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier.
Since 2006, the museum has been researching methodologies for youth participation in museums. 2 analyses formed the basis for 'MAS in Jonge Handen'. After the 'Instinct' exhibition in 2019, the MAS looked back on the process and shared all its experiences in a brochure.
The MAS manages the largest collection of historical vessels in the country. For years, it was displayed under the shelters next to Het Steen, but after a spectacular relocation operation, the vessels found a new home at the Dry Docks site.
The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.
