In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.
It is with fond memories and the utmost respect that the MAS says goodbye to Jacob Sabakinu Kivilu, an esteemed bridge-builder between Congolese and Belgian universities and museums.
A world famous collection that tells us about the extraordinary relationship between man and the world of gods, ancestors and spirits in America before the conquest by the Europeans.
In 'Freight' you stop at various 'docks', each of which reveals a different part of the city's connection with world trade. A journey through the history of the port city. On view on the 6th floor.
The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.
CLOSED - In the exhibition 'Eyecatchers', 16 Antwerp residents gave their own take on our collection and chose their personal masterpiece. Because a masterpiece is something different for everyone.
The Dutchman Pierre Gole made the exceptional ceremonial table for the castle of Vincennes, as commissioned by Louis XIV himself. It is one of the most important pieces of furniture in public ownership in Belgium.
The 54 preserved miniatures in this series together form a visual guide for meditation on a mandala. This is a depiction of the cosmos, in this case with Sarvavid Vairocana – the most important of the five heavenly or dhyani Buddhas.
We are happy to lend our collection to make it known to a wider audience, to encourage new research on the collection and to foster the connection with the heritage community.
Many museums in Belgium and abroad are eager to borrow works from the MAS. You may come across pieces from the MAS collection at exhibitions all over the world.