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Series of paintings A guide to meditation on the mandala of Sarvavid Vairocana
Maker unknown
Inner Mongolia, 18th or 19th century
Pigment on paper
MAS, AE.1977.0026
Donated by the Friends of the Ethnographic Museum Antwerp, 1977
Meditation in pictures
The 54 preserved miniatures in this series together form a visual guide for meditation on a mandala. This is a depiction of the cosmos, in this case with Sarvavid Vairocana – the most important of the five heavenly or dhyani Buddhas – in the centre. Such a meditation process is normally transferred from teacher to pupil verbally or in writing. In the Buddhist tradition, that makes a detailed illustration like this one unusual. The paintings were probably made in a Chinese workshop and under the supervision of a Tibetan teacher. They probably served in the tuition of a Mongolian prince. They bear witness to a unique cultural exchange.
In 1923, the series came into the possession of the Flemish missionary Raphael Verbois (1885-1979). He worked in Inner Mongolia and China, and had a strong interest in Buddhism. A monk at the monastery in Wangzimiao (Inner Mongolia) donated the collection to Verbois. He had stored them in his cell and departed for higher studies in Tibet. How exactly he acquired them himself is not known.
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The mother's dream
AE.1977.0026.01-54
Maya dreams of a white elephant, which is a sign that she will give birth to Buddha.
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Knowledge of reality
AE.1977.0026.11-54
High point of meditation: beams of light come out of the meditating person's fingertips and combine to form a full, white moon, a symbol of emptiness. This is how everything takes shape.
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Devotion
AE.1977.0026.45-54
The five heavenly Buddhas appear in the beams of light above the head of the person meditating.
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The ultimate reality
AE.1977.0026.52-54
The person meditating has reached insight, the highest goal that is emptiness, at once the origin and purpose of everything.