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Objects in the exhibition

Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.

Painting by Van Bree on the list of Top Pieces

The painting 'Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803' by Mathieu Ignatius Van Bree was added to the list of Top Pieces by the Flemish Government. The large oil painting hangs in the Palace of Versailles, an identical work in a small format belongs to the MAS collection.

Three guild tokens

The MAS keeps an extensive and important collection of historical tokens and coins, among which these three masterpieces. They were made for the guilds or trades. These were professional and interest associations led by a dean elected by the members.

MAS. A river of tales

What makes the museum so unique? Discover the MAS in a few words.

München

Work by Luc Tuymans in MAS collection

Luc Tuymans made a monumental work for the restored Royal Atheneum of Antwerp.

Area

The Eilandje was the place where people gathered on their way to the New World. The magnificent Red Star Line steamers moored on the quay just before the bend in the Scheldt River. When the steam whistle announced an impending departure, the quay swarmed with activity. The Eilandje is currently a sought after place in the city.

Saulustableau

The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.

 

Antwerp Hand biscuits

Cookies with a history

The Antwerp Hand biscuits are the most well-known tourist souvenir from the city. In the MAS collection, we find many packagings of the biscuits. However, behind the scenes of the little biscuit, there is more than one story to tell.

How & when to get here

When is the museum open and how do you get here?

The Averbode altarpiece

In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.