The painting 'Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803' by Mathieu Ignatius Van Bree was added to the list of Top Pieces by the Flemish Government. The large oil painting hangs in the Palace of Versailles, an identical work in a small format belongs to the MAS collection.
The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.
The MAS manages the largest collection of historical vessels in the country. For years, it was displayed under the shelters next to Het Steen, but after a spectacular relocation operation, the vessels found a new home at the Dry Docks site.
The exhibition reveals the intimate relationship between the city and food, from the sixteenth century to the distant future. Follow the trail of food in the city and find out how what we eat has left its mark on the map of Antwerp.
Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.
On display until 14 January 2024 at the Wellington Museum in Waterloo
A small selection of cultural artefacts from Egyptian antiquity temporarily finds its place at the Wellington Museum in Waterloo. The exhibition uses historical documents, weapons and Egyptian antiquities to show what influence the land of the pharaohs has had on the European public for centuries.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
Together with the MAS, theatre producer, writer and actor Dimitri Leue gathered stories from the collection and the city for the new exhibition 'Listen'. He wrote a compelling audio play that you can listen to in the exhibition. Tine Embrechts plays the role of Kameleonie.
