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Collaboration

An exhibition with multiple voices

For the exhibition, the MAS collaborates with Belgian and Congolese artists, filmmakers and researchers. An overview.

Discover the collection

Antwerp is a port city where the world has been mooring at the docks for centuries. The MAS collection is the place where city and world meet. 500,000 exhibits offer a varied perspective on the city and its age-old contacts with the world. Some of them are displayed in permanent and temporary exhibitions, but most are kept in storage. In the Visible Storage area, the MAS lifts a corner of the veil. For the really inquisitive, the MAS also has its entire collection on display online.

A modern-day warehouse

In this impressive warehouse, all the museum rooms are stacked like boxes. Follow the Boulevard with its metres-high glass windows as it spirals upwards, and enjoy an incredible view of the city from every level.

MAS acquires LGBTQ+ heritage

The MAS has been able to get hold of a few pieces from gay bar Café Strange at an auction. This way, a bit of the bar of Antwerp's icon and café owner Armand in the Dambruggestraat is preserved for the future.

Collection online

Do you want to be able to enjoy all the MAS’s objects from the past, from Antwerp and from the world at any time and in any place? Well, you can, because the MAS also has its entire collection online.

Ancient Glass

Publication of an extraordinary collection

The ancient glass collection is one of the hidden gems at the MAS. It's part of a valuable glass collection numbering nearly 700 objects. For the first time the subcollection of ancient glass is published in a comprehensive catalogue.

Everyday Fear

V-bombs in Antwerp, 1944-1945

In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.

Restaurateur speaking

Interview with Pierre-Yves Kairis

Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier.