In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.
The escalators in the MAS didn't only take visitors up to the roof, they also allowed to travel through time with impressive photographs of the collection.
Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.
In 2018 the youngsters of MAS in young hands took over a floor of the museum. A unique exhibition that revealed the animal side of the museum collection with creative materials and a wild programme.
CLOSED - The youth crew of the MAS took over a floor of the museum. A unique exhibition revealed the animal side of the museum collection, with creative materials and a wild programme.
CLOSED - The exhibition ‘City Photographer’ brought Antwerp's many faces to the MAS Boulevard from 25 April 2017. Fifteen city photographers, chosen between 2014 and 2017, supplied a diverse range of photos. They created an unprecedented love letter to the city in all its manifestations.
The MAS collection consists of more than 500,000 objects about art, cultural traditions and history of the city and port of Antwerp. But also of Europe, Asia, Africa, America and Oceania.
1914. More than 1.5 million Belgians flee the violence of WWI. 2014. More than 45 million people worldwide have left their homes due to violence and oppression.
In 'Freight' you stop at various 'docks', each of which reveals a different part of the city's connection with world trade. A journey through the history of the port city. On view on the 6th floor.
The Boulevard spirals upwards through nine floors like a glass spiral. It treats you to a magnificent view of the city, getting higher and higher, changing constantly. The rooftop panorama offers a 360-degree view of the city, the harbor, and the world.
