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The architectural splendour of the MAS

Walking tour

The MAS is a striking red building on the waterfront. What is the origin of this contemporary warehouse? What techniques did its architects use, and why? Ask all your questions during the MAS architectural tour.

Grain elevator 19

The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.

Migrants on deck

Photographs show the people involved and the circumstances surrounding their emigration. Consequently, photography is an important source of information for the story of the Red Star Line.

Food & beverages

The MAS is not only a museum, it's also a unique location for a picnic, it offers a cosy museum café at the foot of the MAS as well as a gourmet restaurant on the top floor.

Look at '100 x Congo'

You didn't yet manage to come and see '100 x Congo' in the MAS? Or would you like to take another look at the exhibition after your visit? Our guide Baudouin Mena takes you through the museum hall in our digital exhibition and gives you some additional information. 

Everyday fear

V-bombs in Antwerp, 1944-1945
The MAS focuses on a piece of city history from the Second World War. In the pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.

Art at the exhibition

In addition to work by 18th-century artist Katsushika Hokusai, known as 'the Rembrandt of Japan', contemporary art was also well represented in the exhibition.

Colección

Altar of Antwerp

Since 2012, the Mestizo Arts Platform (MAP) collective has been maintaining and renewing the Altar of Antwerp: a participatory installation that invites us to reflect on the meaning of 'what we have lost' in the city. This has been a part of the MAS' permanent collection since 2017.

The Conversion of Saul

The tile panel is internationally considered as the most refined evidence of sixteenth century ceramics from Antwerp.

The Averbode altarpiece

In the centre of this altarpiece, those close to Christ are mourning his death, and above in miniature, we see Christ again, but alive and in the limbo of Hell. Below, each of the three women are depicting a virtue: Faith, Hope and Love. When the altarpiece is closed, you can see the tortured Christ being shown to the people on the left, and on the right, Jesus being offered a sweat cloth by Veronica.

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