For the exhibition 'Le Corbusier. Linkeroever - Chandigarh’, the MAS closely collaborates with people and organisations in Linkeroever. Amongst others, we spoke with two residents’ associations in Europark, had coffee with the board of the Sint-Anna College and the secondary school, and visited River Side Studio.
The escalators in the MAS didn't only take visitors up to the roof, they also allowed to travel through time with impressive photographs of the collection.
The MAS has been able to get hold of a few pieces from gay bar Café Strange at an auction. This way, a bit of the bar of Antwerp's icon and café owner Armand in the Dambruggestraat is preserved for the future.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
On the square in front of the MAS, you literally walk around on world-quality art. A huge mosaic by one of Antwerp’s most fascinating living artists, Luc Tuymans, occupies the Hanzestedenplaats.
The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.
