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Collection news

An object leaves on a trip to another museum, another undergoes research. Or a special piece is recognised as a Flemish Masterpiece. Or our collection expands.

The world mirrored

24.04.2015 - 16.08.2015

'The world mirrored. World maps from the Middle Ages to the present day' took you on a discovery through the fascinating history of the Western world view from the Middle Ages to the present day. We received 48,718 visitors.

Objects in the exhibition

Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.

A remarkable collection

FREE ENTRANCE | Maria Nijs assembled 200 precious dolls, made in Europe between 1830 and 1930. From her remarkable collection, MAS acquired eleven of these dolls. A painting of Maria with her favorite dolls, created by her father, is also part of the MAS collection. The 11 dolls, together with the painting, can be admired in the Visible Storage starting June 9.

 

Belgian emigrants

In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.

Life & Death | Of Gods and mankind

In this exhibition you could find out how others experience and approach the end of life. Across the boundaries of time, culture and religion.

20 years 'Flemish Masterpieces Decree'

What is valuable must be protected. That is the logic of the Flemish Masterpieces Decree. Since the creation of this decree in 2003, just about 1,000 objects and collections have been recognised and protected as masterpieces. Through decree, the government also strengthens public collections by acquiring important masterpieces.

Congo in the MAS

The origin of the Congolese collection in the MAS dates back about a hundred years.

Vonck dental collection

Value assessment

In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.

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