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Visit the MAS with a group

Check out all possibilities for group visits and guided tours.

100 x Congo

A century of Congolese art in Antwerp

100 X Congo features one hundred highlights. What stories are hidden behind the objects? How did they end up here? What did they mean to Congolese peoples?

Become a sponsor

Sponsor the MAS and become our business partner. The MAS can offer enterprises a lot.

A facade full of hands

The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.

In memoriam

Chris De Lauwer
On May 6, 2018 Chris De Lauwer, curator and keeper of the Asia collection in the MAS, passed away. Chris was 62.

Stuff

Guy Rombouts and Benjamin Verdonck rearrange Jaap Kruithof
The Belgian philosopher Jaap Kruithof collected things that other people usually discard. Half of his collection is now given a new life thanks to the work of visual artists Guy Rombouts and Benjamin Verdonck.

A unique collection of vessels

The MAS manages the largest collection of historical vessels in the country. For years, it was displayed under the shelters next to Het Steen, but after a spectacular relocation operation, the vessels found a new home at the Dry Docks site.

The Virgin of Consolation

New masterpiece by James Ensor in the expo

Recently, the Flemish Community acquired 'The Virgin of Consolation' by James Ensor. The painting had been on the 'Flemish Masterpieces' list since 2007. You can see the painting until 25 February in the 'Rare & Indispensable' exhibition. After that, it will be given into long-term loan at the MSK in Ghent.

What we preserve

The MAS collection consists of more than 500,000 objects about art, cultural traditions and history of the city and port of Antwerp. But also of Europe, Asia, Africa, America and Oceania.

Visible Storage

FREE ENTRANCE | The Visible Storage gives you a look behind the scenes of the MAS. More than 180,000 collection pieces on tall racks, stacked and labelled, await their turn to be exhibited.

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