Just beyond the MAS lies the dry dock site: nine non active dry docks, former workshops for ship repairers, a pump house which is now a protected monument ... It now houses the MAS vessel collection.
Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.
The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.
In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.
Recently, the Flemish Community acquired 'The Virgin of Consolation' by James Ensor. The painting had been on the 'Flemish Masterpieces' list since 2007. You can see the painting until 25 February in the 'Rare & Indispensable' exhibition. After that, it will be given into long-term loan at the MSK in Ghent.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.
CLOSED| In super-diverse Antwerp, you will find hairstyles and hair traditions of all colours and shapes. The hair salons where it all happens are equally diverse. The photo exhibition 'The Salon' gave you a taste of the diversity of hair salons and cuts.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.
