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The MAS lends its collection

We are happy to lend our collection to make it known to a wider audience, to encourage new research on the collection and to foster the connection with the heritage community.

Tile panel

The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.

Open dance floor

28 October - 28 June

Would you like to dance at a unique location? Reserve a time slot for our open dance floor on the Boulevard. Completely free of charge!

Practical information

The well-being of our visitors and employees is very important to us. We ensure a safe and relaxing museum visit, but we do ask you to take and follow some precautions.

The migration of the Hutlet family

When the Hutlet Family moved to America it was a major undertaking. They took their eight children with them as well as a lot of familiar household effects from home with them on their exciting journey to an unknown country.

Painting by Van Bree on the list of Top Pieces

The painting 'Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803' by Mathieu Ignatius Van Bree was added to the list of Top Pieces by the Flemish Government. The large oil painting hangs in the Palace of Versailles, an identical work in a small format belongs to the MAS collection.

Float

From parade to museum

Thanks to intensive restoration, a large float was prepared for the exhibition 'Listen. Stories found in the city'. You can read about how the restoration of this piece was carried out and what choices were made here.

Tranzyt Antwerpia

The photographer Herman Selleslags and the author Pascal Verbeken took an unforgettable journey through Europe. They packed the diary of the Jewish teenager Benjamin Kopp, who was born in a village near Warsaw and was a Red Star Line passenger in 1912, in their suitcase.

COMPASSION

The many faces of compassion

Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.

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