CLOSED - People have desires. They desire love and security. They desire to understand the meaning of life. They also desire wealth, status and power... In the exhibition Dazzling Desire, visitors discovered how mankind has made these desires tangible with striking objects, often consisting of diamonds.
MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?
The MAS collection comprises approximately 2,400 objects related to the poesjenelle tradition, originating from the former Folklore Museum: rod puppets, stage props, signs, theatre programmes and photographs. We also have rod puppets from other theatre traditions and a number of hand puppets.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.
Nine paintings from the Sarvavid series recently left for New York, where they are on display at the Rubin Museum of Art. MAS colleague Roselyne, curator of the Asia collection, travelled with the loans. Wondering what is involved in such a loan escort? You can read it here...
The freeing of the Scheldt was a landmark event in Flemish history. In mid-1863, Antwerp celebrated that after more than 250 years, merchant shipping on the Scheldt was truly free again. A telling painting of this ‘Scheldt Free!’ celebration from the MAS collection can be seen in our Visible Storage.
