For the exhibition "Glasses", Luc Tuymans looks back at his oeuvre thematically for the first time. It includes portraits, of ‘nameless people’ and historic figures, and other works. The leitmotiv is a ‘pair of glasses’.
On June 12, 1945, American Brigadier General Clare H. Armstrong donated two V-bombs to Antwerp as a reminder of the bitter struggle: an intact V1 practice bomb and a slightly damaged manned flying bomb. This bomb, the ReIV, we loaned to the Musée La Coupole near Saint-Omer in northern France.
Military violence and mass persecution of Jews and dissenters during World War II broke the city. Personal stories and objects make this period very tangible in this new permanent MAS exhibition.
Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
A bit short of time, but in the mood for a spot of culture? Then book the quick tour and pay a short visit to the Boulevard. The escalator brings you to a different dimension on each level, and you end up on the roof of the MAS (if not the city itself…).
The Dutchman Pierre Gole made the exceptional ceremonial table for the castle of Vincennes, as commissioned by Louis XIV himself. It is one of the most important pieces of furniture in public ownership in Belgium.
The MAS is a striking red building on the waterfront. What is the origin of this contemporary warehouse? What techniques did its architects use, and why? Ask all your questions during the MAS architectural tour.
