In 2020, Antwerp Shipping Company CMB (Compagnie Maritime Belge) celebrated its 125th anniversary. An ideal occasion to reflect on Antwerp as a maritime city. How did the various shipping companies and nations develop?
Thanks to intensive restoration, a large float was prepared for the exhibition 'Listen. Stories found in the city'. You can read about how the restoration of this piece was carried out and what choices were made here.
A photography project by Heleen Peeters. She immersed herself in the horse (meat) culture around the world. The photographs raised questions: What determines the status of the horse? How is it that traditions change? And what if the same thing happened to other animals?
Antwerp, a metropolis on the river. That's how you know the city today. In the MAS you'll discover that this has been true for a long time. A collection of 500,000 pieces offers you a refreshing look at the city and its contact with other cultures.
The exhibition ‘100 x Congo’ features one hundred unique highlights from our Congolese collection. What stories are hidden behind the objects? How did they end up here? What did they mean to Congolese peoples? And what about the African presence in Antwerp?
FREE ENTRANCE | Discover ‘Tatreez’ (Palestinian embroidery) in the Visible Storage. Historical pieces from the MAS collection are displayed alongside contemporary creations. The presentation shows how this centuries-old embroidery tradition is much more than just decoration on textiles.
Le Corbusier's original plan for Linkeroever from 1933 is one of the eye-catchers of the exhibition. It gives you a clear idea of how Le Corbusier viewed the future of Linkeroever. The large work consists of nine parts and has been restored for this exhibition.
The Flemish non-profit organisation Sensoa donated its collection of quilts to the MAS. It consists of unique and personal canvases, each commemorating an AIDS victim. The creations are not limited to the traditional quilting (patchwork) technique. Some canvases were drawn or painted.
