An assessment of the cultural-historical values of the MAS' vessel collection. A stepping stone towards the development of a clear future vision for the collection.
It is with fond memories and the utmost respect that the MAS says goodbye to Jacob Sabakinu Kivilu, an esteemed bridge-builder between Congolese and Belgian universities and museums.
The escalators in the MAS didn't only take visitors up to the roof, they also allowed to travel through time with impressive photographs of the collection.
The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.
Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
The MAS and the FelixArchief invited all Antwerp citizens to contribute to an archive about daily life during the coronapandemic in Antwerp. Many Antwerp citizens responded with an often very personal contribution.
The MAS collection consists of more than 500,000 objects about art, cultural traditions and history of the city and port of Antwerp. But also of Europe, Asia, Africa, America and Oceania.
The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 3,800 cultural objects come into being? A two-year research project will map this out more clearly.