In preparation for the family exhibition Anybody home?, the MAS had a 19th-century wooden dollhouse restored. The house and its furnishings were carefully refurbished.
Mention of heritage in Antwerp immediately puts us in mind of the cathedral or a painting by Rubens. But the Reuzenstoet (Giants’ Parade) or an ancient tree are also part of our heritage, and the same is true of everything we have built up over the centuries in our society.
CLOSED | Once the largest port in the world, today the Port of Antwerp is characterised by colourful containers. It connects the city with the rest of the world. The exhibition 'Wordl Port' dived into the history of our port.
CLOSED | Once the largest port in the world, today the Port of Antwerp is characterised by colourful containers. It connects the city with the rest of the world. Dive into the history of our port.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
In addition to work by 18th-century artist Katsushika Hokusai, known as 'the Rembrandt of Japan', contemporary art was also well represented in the exhibition.
In this brochure, the MAS looks back on the process of MAS in Young Hands and shares all its experiences. A complete overview of its know-how is available online and free of charge.
Recently, the Flemish Community acquired 'The Virgin of Consolation' by James Ensor. The painting had been on the 'Flemish Masterpieces' list since 2007. You can see the painting until 25 February in the 'Rare & Indispensable' exhibition. After that, it will be given into long-term loan at the MSK in Ghent.
