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Belgian emigrants

In 1890, the painter Louis van Engelen depicted a crowd of Belgian emigrants moving across Antwerp’s Nassau Bridge to the district of Het Eilandje towards a ship. The resident population watches them pass by.

Life & Death | Of Gods and mankind

In this exhibition you could find out how others experience and approach the end of life. Across the boundaries of time, culture and religion.

Martial Arts

Visit the exhibition with a guide and experience the power, philosophy, and beauty of martial arts from around the world. From kung fu to capoeira, from kickboxing to Nguni stick fighting—both well-known and lesser-known martial arts are featured.

Tickets & Rates

An overview of the tickets you can book.

20 years 'Flemish Masterpieces Decree'

What is valuable must be protected. That is the logic of the Flemish Masterpieces Decree. Since the creation of this decree in 2003, just about 1,000 objects and collections have been recognised and protected as masterpieces. Through decree, the government also strengthens public collections by acquiring important masterpieces.

Celebrate five years of the MAS

Three-day festival for 5 euros
The MAS is turning five, and we plan to live it up over Whitsun weekend with a surprising and multi-faceted programme. From 14 to 16 May 2016, the MAS celebrates its fifth anniversary with two new exhibitions, DJs in the square, edible art, workshops for young and old, good food and drink at our food truck festival, and an eccentric firework display to round the whole thing off!

Congo in the MAS

The origin of the Congolese collection in the MAS dates back about a hundred years.

Exodus exhibition

1914. More than 1.5 million Belgians flee the violence of WWI. 2014. More than 45 million people worldwide have left their homes due to violence and oppression.

Power relations past and present

A chance for your pupils to think about power, grandeur and authority

Vonck dental collection

Value assessment

In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.

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