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The Dry Docks site

Vessel collection

Just beyond the MAS lies the dry dock site: nine non active dry docks, former workshops for ship repairers, a pump house which is now a protected monument ... It now houses the MAS vessel collection.

Pictures by Raoul Van Den Boom

Thousands of unique images from photographer Raoul Van Den Boom show the artistic and social life in Antwerp between 1950 and 1980. Some photographs from the immense collection are now on display, some others can be viewed digitally.

Stuff

Guy Rombouts and Benjamin Verdonck rearrange Jaap Kruithof

The Belgian philosopher Jaap Kruithof collected things that other people usually discard. Half of his collection is now given a new life thanks to the work of visual artists Guy Rombouts and Benjamin Verdonck.

A site full of life

We breathe new life into the historic Dry Docks site. STORMKOP is now home to young and less young adventurers.

Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

Palestinian embroidery

FREE ENTRANCE | Discover ‘Tatreez’ (Palestinian embroidery) in the Visible Storage. Historical pieces from the MAS collection are displayed alongside contemporary creations. The presentation shows how this centuries-old embroidery tradition is much more than just decoration on textiles.

Tile panel

The tile panel 'The Conversion of Saul' is one of the most important pieces of the MAS I Vleeshuis collection, the collection of applied arts and history from the city of Antwerp.

Virtual guided tour 100 x Congo

A virtual tour based on images from objects in the exhibition.

A facade full of hands

The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.

On the origins and future

The results of the provenance research have been published in the online publication “About provenance and future.”