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Support the MAS

Do you want to safeguard the future of the museum? There are different ways to contribute. Look at all the ways you can support the MAS.

Support the MAS

Do you want to safeguard the future of the museum? There are different ways to contribute. Look at all the ways you can support the MAS.

The MAS colleagues

The MAS has many employees who do their utmost every day to guarantee visitors a safe and relaxed museum visit. Which departments support the museum operation?

Abram Spiwak, searching for his beloved Sophie

Abram Spiwak decided to follow his beloved Sophie to America. He did not have valid papers, but he tried his luck with the financial support of his family.

The Averbode altarpiece

In the centre of this altarpiece, those close to Christ are mourning his death, and above in miniature, we see Christ again, but alive and in the limbo of Hell. Below, each of the three women are depicting a virtue: Faith, Hope and Love. When the altarpiece is closed, you can see the tortured Christ being shown to the people on the left, and on the right, Jesus being offered a sweat cloth by Veronica.

We call it Riverside but you can call it L.O.

For the exhibition 'Le Corbusier. Linkeroever - Chandigarh’, the MAS closely collaborates with people and organisations in Linkeroever. Amongst others, we spoke with two residents’ associations in Europark, had coffee with the board of the Sint-Anna College and the secondary school, and visited River Side Studio.

Our donors

The MAS leans on the continuous generosity of our donors in order to ensure that the museum can continue to enable all visitors to experience culture.

A facade full of hands

The legend of Brabo and Antigoon makes the hand the symbol of Antwerp. But the little hands on the facade are also a reminder of the many patrons who helped build the MAS.

Colección

Altar of Antwerp

Since 2012, the Mestizo Arts Platform (MAP) collective has been maintaining and renewing the Altar of Antwerp: a participatory installation that invites us to reflect on the meaning of 'what we have lost' in the city. This has been a part of the MAS' permanent collection since 2017.

The Conversion of Saul

The tile panel is internationally considered as the most refined evidence of sixteenth century ceramics from Antwerp.