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Visit the MAS with a group

Check out all possibilities for visiting the MAS in group, with or without a guide.

Virtual guided tour 100 x Congo

A virtual tour based on images from objects in the exhibition.

The MAS collection

Antwerp, a metropolis by the river. A collection of 600,000 objects gives you a refreshing view of the city and its contacts with other cultures.

Everyday Fear

V-bombs in Antwerp, 1944-1945

In the MAS pavilion, you can see where V-bombs fell on Antwerp and the scars they have left behind, by means of photographs, first-person testimonies and maps. You can even see a real V1-bomb from the MAS collection.

Egyptian antiquities to Waterloo

On display until 14 January 2024 at the Wellington Museum in Waterloo

A small selection of cultural artefacts from Egyptian antiquity temporarily finds its place at the Wellington Museum in Waterloo. The exhibition uses historical documents, weapons and Egyptian antiquities to show what influence the land of the pharaohs has had on the European public for centuries.

Look at Antwerp à la carte

Collection online

Do you want to be able to enjoy all the MAS’s objects from the past, from Antwerp and from the world at any time and in any place? Well, you can, because the MAS also has its entire collection online.

Ancient Glass

Publication of an extraordinary collection

The ancient glass collection is one of the hidden gems at the MAS. It's part of a valuable glass collection numbering nearly 700 objects. For the first time the subcollection of ancient glass is published in a comprehensive catalogue.

Mesoamerican object to Brussels

For the exhibition 'Postcolonial?' at the House of European History in Brussels, the MAS is lending an artefact from Mayan culture. It is an object from the collection of Paul & Dora Janssen-Arts.

Happy Birthday Dear Academy

08.09.2013 - 26.01.2014

The Royal Academy for Fine Arts existed 350 years in 2013. At the same time, the renowned Fashion Department turned 50. That is why the whole of Antwerp was dominated by the Academy and the clash between contemporary artistic "violence" and historical heritage.