Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.
In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.
In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.
The Dutchman Pierre Gole made the exceptional ceremonial table for the castle of Vincennes, as commissioned by Louis XIV himself. It is one of the most important pieces of furniture in public ownership in Belgium.
Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.
Every district of Antwerp consists of a wonderful mix of historical buildings and modern architecture. To see all of this beauty you actually would need wings. But fortunately there are several places, both high up in the air and on the ground, to see as much as possible of the city.
The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.
Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier.