Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
As well as an architect, Le Corbusier was also a furniture designer, a painter, a sculptor and an influential theorist. He is sometimes called ‘the architect of the 20th century’. His ideas were showered with praise, but he also received a lot of criticism.
The MAS has been able to get hold of a few pieces from gay bar Café Strange at an auction. This way, a bit of the bar of Antwerp's icon and café owner Armand in the Dambruggestraat is preserved for the future.
CLOSED - How do residents make use of a city after the architect has gone? And what does the area of Linkeroever in Antwerp have to do with the Indian city of Chandigarh? Discover how residents live in a carefully designed city and learn about the underlying vision of the famous modernist architect Le Corbusier. Exhibition 6/04/2019 - 18/08/2019
An object leaves on a trip to another museum, another undergoes research. Or a special piece is recognised as a Flemish Masterpiece. Or our collection expands.
The historic grain elevator is under joint management of the MAS and the Maritime Museum Rotterdam. The extraordinary vessel will moor half of the time in Antwerp and the other half in Rotterdam.
On June 12, 1945, American Brigadier General Clare H. Armstrong donated two V-bombs to Antwerp as a reminder of the bitter struggle: an intact V1 practice bomb and a slightly damaged manned flying bomb. This bomb, the ReIV, we loaned to the Musée La Coupole near Saint-Omer in northern France.
Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier.
In 2024, we selected a dental collection to perform a valuation on. There was no knowledge within the MAS about the provenance and history of this collection. It was not clear whether these objects had a place within the collection plan.
