Among the two million Europeans who traveled to America on the Red Star Line was a five year old boy from Russia. The boy’s name was Israel ‘Izzy’ Beilin. He would grow up to gain world-wide fame as Irving Berlin with songs like 'White Christmas', 'Puttin' on the Ritz' and 'There's No Business Like Show Business'.
Along the frayed fault line between the city and port lies a raw and rusty area. For many Antwerp residents, this represents a blind spot on the map. However, this area oozes history linked to the once bustling in-city port.
The MAS and the FelixArchief invited all Antwerp citizens to contribute to an archive about daily life during the coronapandemic in Antwerp. Many Antwerp citizens responded with an often very personal contribution.
The Saulus tableau depicts a Biblical scene: on his way from Jerusalem to Damascus, the Roman Saul, persecuting Christians, is blinded by a lightning bolt and thrown from his horse. This tile tableau of over 1 by 2 metres has 98 tiles in majolica, colourful and glazed earthenware.
In the centre of this altarpiece, those close to Christ are mourning his death, and above in miniature, we see Christ again, but alive and in the limbo of Hell. Below, each of the three women are depicting a virtue: Faith, Hope and Love. When the altarpiece is closed, you can see the tortured Christ being shown to the people on the left, and on the right, Jesus being offered a sweat cloth by Veronica.
This choir hood is a luxurious robe from around 1500 and is a fine example of the so-called "opus anglicanum". It is one of the few surviving examples that ended up in Flanders. For Antwerp, the image on the choir hood is very special.
