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Come with your class to Portopolis

Portopolis is the perfect place to discover the port in a playful and interactive way. Immerse your class in the fascinating world of the port. Portopolis offers a free one-hour programme for both elementary and high schools.

Accessibility

MAS strives to be as accessible and inclusive a place as possible. How do we welcome less mobile visitors, people with hearing or visual impairments, or those with autism spectrum disorders?

MAS temporary inaccessible with tram 7

Provenance research of the Congo collection

The MAS preserves culturally and historically sensitive Congolese heritage. In what circumstances did this collection of approximately 5,000 cultural objects come into being? A two-year research project will map this out more clearly.

How & when to get here

When is the museum open and how do you get here?

The Averbode altarpiece

In 1873, the Antwerp Museum of Antiquities purchased a 16th-century retable of the Averbode Abbey, depicting the Lamentation of Christ. 150 years later, it is given on long-term loan to the abbey and thus returns home.

Vinland Saga

From April 5 to October 31, 2025

The MAS is lending some objects from the archaeological Hasse collection and from the maritime collection for the exhibition “Vinland Saga” in Manderen-Ritzing (France). It is an exhibition that unites contemporary manga with historical pieces from various collections. 

Enchanted by gold

Gold objects to Wereldmuseum in Leiden

For the exhibition “Enchantd by gold” the MAS, in collaboration with the Flemish Community, lent eight gold objects, all from the Paul & Dora Janssen-Arts collection.  The expo highlights the role of gold in different cultures around the world.

The MAS lends its collection

We are happy to lend our collection to make it known to a wider audience, to encourage new research on the collection and to foster the connection with the heritage community.

Restaurateur speaking

Interview with Pierre-Yves Kairis

Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier.