How are indigenous Batak belief systems preserved and transmitted today, and what challenges do the communities that practise them face? What meanings are held by the Batak artefacts ulos/uis, pustaha and tunggal panaluan within their communities of origin, and how has this changed over time?
Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.
In preparation for the family exhibition Anybody home?, the MAS had a 19th-century wooden dollhouse restored. The house and its furnishings were carefully refurbished.
The MAS collection consists of more than 500,000 objects about art, cultural traditions and history of the city and port of Antwerp. But also of Europe, Asia, Africa, America and Oceania.
The Boulevard spirals upwards through nine floors like a glass spiral. It treats you to a magnificent view of the city, getting higher and higher, changing constantly. The rooftop panorama offers a 360-degree view of the city, the harbor, and the world.
Napoleon's visit to Antwerp in 1803 was a high point for the city on the Scheldt. Joséphine de Beauharnais, Napoleon's wife, ordered a painting to immortalise the entry. This is a preliminary sketch for that.
CLOSED - People have desires. They desire love and security. They desire to understand the meaning of life. They also desire wealth, status and power... In the exhibition Dazzling Desire, visitors discovered how mankind has made these desires tangible with striking objects, often consisting of diamonds.
Colonial collectors brought many pustaha into European museum collections, thus separating these books from their communities of origin. What happens to the knowledge that manuscripts contain when they are displaced and access to them is lost?
