The MAS and the FelixArchief invited all Antwerp citizens to contribute to an archive about daily life during the coronapandemic in Antwerp. Many Antwerp citizens responded with an often very personal contribution.
Photographer Mark De Fraeye and his wife donated some of their photo series to the MAS. De Fraeye's series 'Ahopsan Forest' is a visual manifesto for the preservation of the forest in South Korea.
CLOSED - The exhibition ‘Buddha & Mind’ at the MAS was in line with our need to escape from the daily hustle and frequent stressful moments. A unique set of minature Buddhist paintings took you through the process of meditation.
Jan Corteel devoted himself to promoting the story of Nello and Patrasche in Antwerp and Belgium. Over the years, Jan even built up a Nello and Patrasche collection, with all kinds of merchandise and various editions of the book. He donated this collection to the MAS.
Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier.
In 2020, Antwerp Shipping Company CMB (Compagnie Maritime Belge) celebrated its 125th anniversary. An ideal occasion to reflect on Antwerp as a maritime city. How did the various shipping companies and nations develop?
FREE ENTRANCE | From October 25, 2025, dance is the starting point in the Visible Storage for delving into the MAS collection. Eight people from dance communities in Antwerp rummaged through the depots together with the curators.
The permanent exhibition 'Life and Death. Gods and Mankind' shares ideas about life and death in different cultures and ideologies. New acquisitions by Jan Cox represent the secular humanism theme. The theme Judaism is given a new interpretation with an installation by Daniel von Weinberger.
Since 2012, the Mestizo Arts Platform (MAP) collective has been maintaining and renewing the Altar of Antwerp: a participatory installation that invites us to reflect on the meaning of 'what we have lost' in the city. This has been a part of the MAS' permanent collection since 2017.
