As part of ‘Antwerp Baroque 2018: Rubens as an inspiration’, MAS welcomed the photographer and artist Athos Burez. With 30 images and installations, he shared his own unique and contemporary view on different genres from the style period: still lifes, portraits, landscapes and interiors.
For the exhibition 'Postcolonial?' at the House of European History in Brussels, the MAS is lending an artefact from Mayan culture. It is an object from the collection of Paul & Dora Janssen-Arts.
The Royal Academy for Fine Arts existed 350 years in 2013. At the same time, the renowned Fashion Department turned 50. That is why the whole of Antwerp was dominated by the Academy and the clash between contemporary artistic "violence" and historical heritage.
In 2020, the MAS is taking a whole new course with its youth program "MAS in Young Hands". What must be stored in the MAS? According to young people, what is heritage and where do we find it in the city? With these and other questions, young people go to work online and offline and will inspire an artist in residence.
On the banks of the river Scheldt, strange and battered figures do regularly wash up. They dream of a second chance and are building a Travelling Reserve for Scheldt jetsam. On display from 3/05 until 22/08/2021.
On the banks of the river Scheldt, strange and battered figures do regularly wash up. They dream of a second chance and are building a Travelling Reserve for Scheldt jetsam. On display from 3/05 until 22/08/2021.
Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier.
