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Bonaparte at the Scheldt

23.03.2013 - 03.06.2013
CLOSED - Vive Napoléon?! From 1794 to 1814 Antwerp found itself under French rule. This brief period had a considerable impact on the city and on the lives of its inhabitants...

Brabofountain to museum DIVA

This unique silver showpiece is one of the permanent loans to DIVA. It is a copy of the Brabofountain in Antwerp's Grote Markt. The bronze statues on a rock of basalt stones were executed in silver and set on a rock of amethyst.

MAS. A river of tales

What makes the museum so unique? Discover the MAS in a few words.

A look at research

28.05 - 13.10.2024

CLOSED | The MAS preserves culturally and historically sensitive Congolese heritage that numbers nearly 5,000 cultural objects. MAS staff, together with Congolese colleagues, investigated the circumstances under which this collection disappeared from Congo. The first results of the study were on display in the Visible Storage.

MAS acquires LGBTQ+ heritage

The MAS has been able to get hold of a few pieces from gay bar Café Strange at an auction. This way, a bit of the bar of Antwerp's icon and café owner Armand in the Dambruggestraat is preserved for the future.

The MAS lends its collection

We are happy to lend our collection to make it known to a wider audience, to encourage new research on the collection and to foster the connection with the heritage community.

In collaboration with Antwerp families

The MAS, together with a number of key partners, collected stories from Antwerper citizens about what a "home" means to them. A dozen families collaborated on the exhibition for a year.

Loans

We are happy to lend the collection to make it known to a wider audience, to encourage new research on the collection and to foster the connection with the heritage community.

Luc Tuymans. Glasses

For the exhibition "Glasses", Luc Tuymans looks back at his oeuvre thematically for the first time. It includes portraits, of ‘nameless people’ and historic figures, and other works. The leitmotiv is a ‘pair of glasses’.

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