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Sacred Places, Sacred Books

19.09.2014 - 18.01.2015
CLOSED - ‘Sacred Places, Sacred Books’ brought Rome, Mecca and Jerusalem to Antwerp. You discovered the differences and similarities between Judaism, Christianity and Islam. More than 200 works of art, historical and religious treasures were on display.

Harbour cranes

The MAS' largest and most impressive collection pieces can be seen on the Scheldt quays. And just in front of the MAS, you almost bump into the showpiece of our collection.

COMPASSION

The many faces of compassion

Feeling or showing compassion is typically human and has many sides. The expo shows how we portray this in different times, cultures and worldviews. And also, what its abrasive sides are.

Breaking Boundaries

Antwerp Olympic city
The organisation of the Games in Antwerp was a feat in and of itself, and were really groundbreaking. In this small exhibition, you can view posters, photos, trophies and more.

Congo in the MAS

The origin of the Congolese collection in the MAS dates back about a hundred years.

Restaurateur speaking

Interview with Pierre-Yves Kairis

Pierre-Yves Kairis (b. 1958) is a doctor of art history at the Université de Liège. He was closely involved in the restoration of “The Mystic Marriage of St. Catherine,” a painting by Michaelina Wautier. 

The nine contemplations

The nine contemplations on the impurity of the human body depicts how finite the human body is. Japanese monks used such series as an aid to their meditation.

100 x Congo

A century of Congolese art in Antwerp

100 X Congo features one hundred highlights. What stories are hidden behind the objects? How did they end up here? What did they mean to Congolese peoples?

Pavilions

In the shadow of the MAS, you'll find several publicly accessible pavilions that you can visit. There you will discover more stories about Antwerp today.

Antwerp à la carte

About cities and food

The history of the city, on the surprising, erratic and often invisible trail of food. An exhibition that excites all your senses.

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