From 6 to 10 August, the MAS is hosting the third edition of MAS Darling — a multi-day festival featuring talks, workshops, performances and video that highlights and celebrates the history and diversity of the LGBTQI+ community.
In the MASbox, you can enjoy our programming in all its diversity: film screenings, concerts, workshops, talks, lectures ... it's all possible. At the same time, it is a place where the MAS team engages in dialogue. With each other, with partners from the city or with heritage communities.
Looking for the sewer crocodile, listening to talking tableware, playing board games or drawing on the walls.... In the playful new family exhibition "Anybody home?" you will explore the MAS collection together with your (grand) children. You reflect on what a 'home' means. And one thing can already be revealed: it is different for everyone.
In preparation for the family exhibition Anybody home?, the MAS had a 19th-century wooden dollhouse restored. The house and its furnishings were carefully refurbished.
The Saulus tableau depicts a Biblical scene: on his way from Jerusalem to Damascus, the Roman Saul, persecuting Christians, is blinded by a lightning bolt and thrown from his horse. This tile tableau of over 1 by 2 metres has 98 tiles in majolica, colourful and glazed earthenware.
For the exhibition 'Le Corbusier. Linkeroever - Chandigarh’, the MAS closely collaborates with people and organisations in Linkeroever. Amongst others, we spoke with two residents’ associations in Europark, had coffee with the board of the Sint-Anna College and the secondary school, and visited River Side Studio.
The MAS is a striking red building on the waterfront. What is the origin of this contemporary warehouse? What techniques did its architects use, and why? Ask all your questions during the MAS architectural tour.
Except for a dozen or so loans, all the pieces on display in the exhibition come from the MAS collection. The objects have been chosen for what they portray, their significance or their (historical) story.
The tile tableau from 1547 is a rare witness to early majolica production in Antwerp, a typical Renaissance phenomenon. The Saulus tableau is a piece of indispensable cultural heritage for Flanders.
